A koreai utcák színpompássá válnak, amint jön egy kis égi áldás.
2015-ben a chicago-i School of the Art Institute különös felkérést kapott Dél-Koreá ból: Szöul utcáira kellett olyan alkotásokat tervezni, melyeket az eső kelt életre.
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Cat Bluemke (MFA DET 2018), “Phage” 💀 . Designer Artist Citizen Site: Exploring Belonging is an exhibition featuring the work of twenty School of the Art Institute of Chicago (SAIC) students on themes of citizenship and the built environment. The student works, each of which is presented through a large textile banner and a physical artifact, explore themes of immigration, ecology and the agency of plants, nationalism and national identity, queer spaces and violence toward queer people, and forms of belonging produced by architecture and urbanism. . During a summer study course, students present the exhibition at Ca’Foscari, in Venice, Italy, experiencing the behind-the-scenes work of organizing and installing an exhibition first-hand. In parallel, students will have the opportunity visit the 2018 Venice Architecture Biennale, engaging and being exposed to international discourse on design. . Read more about Designer Artist Citizen Site: Exploring Belonging on our website! #saic #saic_design @catbluemke @annloklui
A post shared by SAIC Design (@saic_design) on Apr 20, 2018 at 11:45am PDT
A Monsoon projekt névre keresztelt akció során a kreatív csapat vízérzékeny tintával vonta be az úttestet és járdákat…
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The Ihwa-dong mural village in Seoul is an initiative to reinvigorate a small, low socio-economic “moon village.” Whether you agree with government commissioned street art projects or not, the initiative worked, and tourists made the trek up the mountain in droves to explore the range of works. As encouraging and self-reinforcing as this success is in terms of the power of street art, it also provokes some serious questions about what impact it can have on residents when the artists leave and they are left with the residue of too many strangers in their home disrupting their life, other artists tagging the bandwagon, and the initial positive resonance souring. One of the most famous works, seen here in image 1, was painted over with grey paint (image 2) by some disgruntled residents in the middle of the night. A few nights later, others followed suit covering a staircase tiled with bright flowers. It’s clear the grey paint is a muting of wonderful possibilities, but with purpose and a message. Other residents were upset by this action, which resulted in a drop of tourism and therefore income. Disruption, but not in the way all of us hoping to make great change at street level, aim for. This is actually an issue many of us here at MG struggle with a LOT. How can we include the community as much as possible to avoid things like this? To make an initiative like this a collaborate process and not a forced experience that is simply using a space as a canvas for our own egos. Would love any thoughts any of you have on this as we continue our discussion! More images from the village in our story. Image 1: Zannah Image 2: @microgalleries
A post shared by Micro Galleries (@microgalleries) on Apr 17, 2019 at 5:58pm PDT
…hogy ha megérkezik a hetekig tartó, heves esőzés, akkor ne legyen a város olyan szürke és lehangoló.
A színes festékek a helyi kulturális értékeket hirdetik:
…az ázsiai ország áramlataiban a tarka halak elegánsan siklanak…
…öröm rájuk pillantania az esernyő alá szoruló járókelőnek.
Akár három hosszú hétig is szakadatlanul zuhoghat errefelé.
Feldobja a nyomasztó napokat a kecses vízi lények, vagy éppen a bájosan bumfordi teknősök látványa, teszi hozzá a 9gag.com .
